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“To write poetry after Auschwitz is barbaric” –Theodor Adorno

Archive for Philosophy

Museum of Jurassic Technology’s David Wilson: Lecture and Film at the Armand Hammer Museum 05/06/09

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David Wilson is the founding director of the Museum of Jurassic Technology, which opened in 1988. Wilson has also produced six independent films, most recently under the auspices of MJT in conjunction with Kabinet, an arts and science-based cultural institution located in St. Petersburg, Russia.

We were treated to a lecture and film about philosopher Nikolai Fyodorov and Constantine Tsiolkovski, the father of theoretical astronautics. David Wilson also spoke about the early days of the Russian space program and he showed a silent film influenced by the writings of Tsiolkovski. As an aside, currently on exhibit at the Museum of Jurassic Technology are five commissioned dog portraits of the first dogs launched into space by the Soviets.

From Wikipedia:

fedorov

Nikolai Fyodorovich Fyodorov (RussianНикола́й Фёдорович Фёдоров; surname also Anglicized as “Fedorov”) (June 91827December 281903) was aRussian Orthodox Christian philosopher, who was part of the Russian cosmism movement and a precursor of transhumanism. Fyodorov advocated radical life extension, physical immortality and even resurrection of the dead, using scientific methods.

Fyodorov was a futurist, who theorized about the eventual perfection of the human race and society (i.e., utopia), including radical ideas like immortalityrevival of the deadspace and ocean colonization. His writings heavily influenced mystic Peter Uspensky and early rocket pioneer Konstantin Tsiolkovsky.

Mankind’s Common Cause

Fedorov argued that the evolutionary process was directed towards increased intelligence and its role in the development of life. Man is the pinnacle of evolution, as well as its creator and director. He must direct it where his reason and morality dictate. Fedorov noted that mortality is the most striking indicator of yet imperfect, contradictory nature of Man and the deep reason for most evil and nihilism in man and mankind. Fedorov argued that the struggle against death can become the deepest and the most natural cause uniting all people of Earth, regardless of their nationality, race, citizenship or wealth (he called this the Common Cause).

Fedorov thought that death and afterdeath existence should become the subject of comprehensive scientific inquiry. Achieving immortality and revival is the highest goal of science. And this knowledge must leave the laboratories and become the common property of all: “Everyone must be learning and everything be the subject of knowledge and action”.

Transformation of past physical forms

The revival of people who lived in the past is not a recreation of their past physical form — it was imperfect, parasitic, centered on mortal existence. The idea is to transform it into self-creating, mind-controlled form, capable of infinite renewal, which is immortal. Those who haven’t died will go through the same transformation. The man will have to become a creator and organizer of his organism (“our body will be our business”). In the past the development of civilization happened by increasing human power using external tools and machines — the human body remained imperfect.

Transhumanism

Fedorov points out that we need to breach the gap between the power of technology and weakness of the human physical form. The transition is overdue from purely technical development, a “prosthetic” civilization, to organic progress, when not just external tools, artificial implements, but the organisms themselves are improved, so that, for example, a man can fly, see far and deep, travel through space, live in any environment. Man must become capable of “organodevelopment” that so far only nature was capable of. Fedorov talks about supremacy of mind, “giving, developing organs for itself” and anticipates V. Vernadsky’s idea of autotrophic man. He argues that a man must become anautotrophic, self-feeding creature, acquire a new mode of energy exchange with the environment that will not end.

Fedorov repeatedly said that only broad scientific studies of aging, death, after death condition, only the science that strives to achieve a transformed immortal life, can really uncover the means to overcome death.

Wikipedia entry on Constantine Tsiolkovski:

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Konstantin Eduardovich Tsiolkovsky (RussianКонстанти́н Эдуа́рдович Циолко́вский;PolishKonstanty Ciołkowski) (September 17 [O.S. September 5] 1857–September 191935) was an Imperial Russian and Soviet rocket scientist and pioneer of the astronautic theory. He is considered by many as a father of theoretical astronautics.[1] His works later inspired leading Soviet rocket engineers as Sergey Korolyov and Valentin Glushko and contributed for early successes of Soviet space program.

Tsiolkovsky spent most of his life in a log house on the outskirts of Kaluga, about 200 km (125 miles) southwest of Moscow. A misanthrope by nature, he appeared strange and bizarre to his fellow-townsmen.

He was born in Izhevskoye (now in Spassky DistrictRyazan Oblast), in the Russian Empire, to a middle-class family. His father, Edward Tsiolkovsky (in PolishCiołkowski), was Polish; his mother, Maria Yumasheva, was an educated Russian woman. His father was a Polish patriot deported to Russia as a result of his revolutionary political activities. At the age of 9, Konstantin caught a serious illness and became hard of hearing[1]. He was not accepted at elementary schools because of his hearing problem, so he was self-taught[1].

Tsiolkovsky theorized many aspects of space travel and rocket propulsion. He is considered the father of human spaceflight and the first man to conceive the space elevator, becoming inspired in 1895 by the newly-constructed Eiffel Tower in Paris.

He was also an adherent of philosopher Nikolai Fyodorov, and believed that colonizing space would lead to the perfection of the human race, with immortality and a carefree existence.

Nearly deaf, he worked as a high school mathematics teacher until retiring in 1920. Only from the mid 1920s onwards was the importance of his work acknowledged by others, and Tsiolkovsky was honoured for it. He died on 19 September 1935 in Kaluga and was buried in state.

“to write lyric poetry after Auschwitz is barbaric”

A few people have asked me about that Adorno quote on my About page:

DILEMNA:
Adorno wrote – “To write poetry after Auschwitz is barbaric.”

I guess I’m looking for ways to maintain optimism in the face of the increasingly decentralized world we live in, both on a personal level and in terms of the current national politics.

Which begs the question: Is ambivalence/distance (being once/twice/totally removed – the dance between approach and avoidance) our only safety?

Here it is as expanded upon.

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